1. Fender Supersonic 60 Problems
2. Fender Supersonic 22 Combo Review
3. Fender Supersonic 60w
4. Fender Supersonic Amp Reviews

more.. Pro Advice • Ask Amp Man • Amps • July 2015 • Fender

Apr 25, 2017  Fender Super-Sonic 60 212 120-watt 2x12' Extension Cabinet - Black. 120-watt, 8-ohm, 2x12' Extension Cabinet with Vintage 30 Speakers - Black/Silver. Super-Sonic 60 212 Enclosure User Manual Tech Specs. Configuration: 2 x 12'. And if you're like many of the guitarists at Sweetwater, Fender not only made the first guitar you ever bought. Mar 30, 2011  Featurig 2 channels, the VINTAGE channel is based on two legendary Fender favorites, the virolux and the Bassman, and the BURN offers powerful overdrive from light blues to all out madness. Fender Super Sonic 60 Combo Features. 2 Channel, 12 inch, 60 Watt Tube Combo Amplifier; VINTAGE channel contains pre-gain tone controls and two switchable.

Fender issued two versions of the Super-Sonic 60. The original version (shown here) was released in 2005.
Fender revised the circuit for the 2009 version.

Hi Jeff,
I have an older Fender Super-Sonic 60. I really like its sound, but I find the clean channel’s Vibrolux setting a little too thin. Is there a way to fatten it up? Also, on the second/OD channel, I find I need to crank the bass knob all the way and turn the treble knob to only 2 or so to get a useable sound. Is there a way to make the burn channel’s “noon” settings more balanced so I can get a warmer sound?
Thank you,
Pat Edwards

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Daemon for mac free download. Hi Pat,

Thanks for writing. There are actually two versions of the Fender Super-Sonic amp: one from 2005, and another from 2009. The circuitry was improved for the 2009 model. (Yes, we all have bleak memories of the “improvements” Fender made during their CBS era, but these revisions really did upgrade the amp’s sound and performance.)

I’ve already written a Premier Guitar column on the two versions of the Super-Sonic amp and the changes needed to update the earlier model [Modifying an Early Fender Super-Sonic 60, Aug. 2014]. No matter which version you have, your modification requests are above and beyond what I previously covered, but with both columns in hand you should be able to bend the Super-Sonic to your will. So let’s get started!

Fender Supersonic 60 Problems

First, let’s address your complaint about the Vibrolux setting. This is part of the amp’s vintage channel, which is switchable between Vibrolux and Bassman circuit simulations. As the schematic excerpt in Fig. 1 shows, relay K4-A in Vibrolux mode routes the signal from pin 4 to pin 6 through C10, and then through the C11/R22 resistor/capacitor network. Here, I believe, is where the signal becomes too thin for your liking.

Mac miller dang feat anderson paak mp3 download. Fig. 1

To correct this, try removing C11. This capacitor passes highs across R22, and the ratio of highs passed relative to the total signal may be responsible for the sound you perceive as “too thin.” Another possibility is that the signal is overly attenuated by R22, making the amp, for lack of a better term, wimpy. https://amelex.hatenablog.com/entry/2020/11/23/084315. If this is the case, try decreasing the value of R22. Start with a 1M resistor and see how you like it. If that doesn’t work, go lower. If you achieve a good, full sound, but one that could still use a bit more high end, try different values for C11. You might even replace R22 with a simple jumper wire, but be aware that if you do, C11 will no longer affect the sound. Anyway, this is a great spot to tailor the Vibrolux setting, but ultimately, it’s all about trial and error to satisfy your personal taste.

Now that you can tweak the Vibrolux setting to taste, let’s address your other concern. The amp’s second channel is labeled burn, but I guess we need to balance that burn, so let’s modify this channel’s tone stack.

We focus on R46, as seen in the schematic excerpt in Fig. 2. This part governs the amount of signal passed to the bass and middle controls and is sometimes called the slope resistor. The stock value is an unusually large 120k. I suggest lowering the value to 82k to see if this brings you closer to the balance you desire. You can certainly go lower—68k, 56k, or even 47k—but be aware that this not only brings in more lows and mids, but also changes the curve, or “voice,” of the tone stack. At some point you need to settle on a compromise where the amp sounds good, as opposed to having your controls at some arbitrary midpoint setting. Panther mac os x download. The bottom line is to make the amp sound the way you want, not where the controls must be set to accomplish this. https://naduotris.hatenablog.com/entry/2020/11/23/071107.

Fender Supersonic 22 Combo Review

Fig. 2